Kimberly had never read Besson--and didn't know Ringwald was translating!--but she loved this brief, beautiful novel. Listen in as she touches on the very un-american phenomenon of autofiction, before diving into the fascinating structural choices, the beauty of the spare prose and why Besson is SO GOOD AT SEX WRITING. She'll even offer up interesting translation differences and the novel's details that Ringwald (mostly judiciously) chose to leave out.

Often considered Baldwin's masterpiece, this slim, somewhat autobiographical novel is SO GOOD. Listen in now to hear how the structure, the narrative voice and the final chapter make this an incredible, important read.

Garcia Marquez changed literature with the 1967 publication of this surreal, ultra-popular, deeply engaging novel. Kimberly LOVED diving in to the context in which it was written, the way it fits into literary movements and why it's so groundbreaking. And if you're one of the people who couldn't keep all the generations of José Arcadios and Aurelianos straight, Kimberly will reveal a grad-school level secret that will help with this novel--and every challenging book you read.

NO PRE-READING REQUIRED! Kimberly had no idea that the Nancy Drew we all read as kids was seriously different from the 1930 original. This kind of re-writing is always a fascinating window into American culture--but the real fun here is how GOOD these books are. Whether you're a fan or not, listen in to hear what most of us missed about these iconic bestsellers!

Braiding Sweetgrass is one of those books we should be going back to again and again. If you don't quite have the time to do that, Kimberly will give you a hand. Want to feel like you could maybe help make the world a slightly better place in some small way?? Want to feel better about the environment?? Want to feel inspired and informed--with sometimes RADICAL new ways to conceptualize the world? Listen in!

At the end of TOM LAKE, Ann Patchett exhorts readers to return to the work of Thornton Wilder--so Kimberly did! She LOVED her deep dive into the hugely influential 1938 classic, OUR TOWN. You'll hear analysis of the novel, with a whole section devoted to how the incredibly affecting OUR TOWN inflects Patchett's novel. Lastly? You'll then be treated to some seriously inspiring quotations by Wilder himself.

Cusk's radical approach to the novel makes OUTLINE the perfect text for serious exploration. Its innovative approach to narrative, structure and even basic description meant plenty of grist for Kimberly's mill. Whether you loved OUTLINE or were left wondering what the hell just happened--prepare for some serious edification.

Listen in to Kimberly explaining why Hilderbrand's dialogue, structuring, subplots and sense of place will make this show SO GOOD. With juicy details gleaned from lots of sleuthing, Kimberly will get you ready to watch on SEPTEMBER 5!

NO SPOILERS! NO READING NECESSARY! Kimberly comes to you from a wine cellar with a nervous dog to discuss autofiction and how the French are more relaxed about TRUTH than Americans. The Mystery Guest is intriguing, darkly funny and SO SHORT! If you're casting about for something to read and want something different--listen in!

NO SPOILERS! (Obviously. It's s thriller.) This novel was so well done that Kimberly couldn't wait to analyze all the reasons it works so well. The most fun, though, might have been picking out the exceptions that prove the rule: Liz Moore is so good!

Have you got a pretty good sense of what satire's all about? But could maybe use a breakdown about WHY it works well? And WHEN it works well? Join Kimberly for a close look at Taffy Brodessor-Akner's LONG ISLAND COMPROMISE to understand this delicious literary mode. We'll take a close look at LONG ISLAND, while also getting a bit broader with Andrew Sean Greer's LESS, Lorrie Moore's SELF HELP and Paul Beatty's THE SELLOUT. Enrich yourself now!

There are SO many reasons to read (or REREAD) this slim, gorgeous, Paris-based novel. Kimberly argues that an amazing way to more fully understand the book is to view it through Baldwin's genius use of figurative language. Listen in now!

It was VERY hard for Kimberly to decide on a top ten. So there are five runners-up. She assumed it would be impossible to RANK the top ten, but in a spur-of-the-moment decision, she attempts it. Tune in to see how your list compares!

People. This collection is SO FUNNY and SO DARK. It's unlike any other writing. Whether you've read it or are considering diving in after the book was selected as one of the best of the century, listen in as Kimberly helps understand how this woman pulls it OFF.

Kimberly zips through the 46 books she's read, giving a rating to every one. Check it OUT!

We wrap up SALINGER WEEK with a deep dive into "Zooey" (the story) along with a good hard look at FRANNY AND ZOOEY as a whole. This third and final lecture offers up all sorts of gems--from the source of Franny's crisis to a wider look at why Salinger's prose is so incredibly ENDURING.

"Franny" and "Zooey" (and Franny and Zooey) depend on many important (but subtle) ways upon Seymour Glass. Published in the New Yorker in 1948, "A Perfect Day for Bananafish" introduces us to Seymour--in the moments before his death. Even in his absence, Seymour is foundational for the entire Glass Family. He might be MOST crucial to the youngest Glasses, Franny and Zooey. If you love the book FRANNY AND ZOOEY, a deep dive into "Bananafish" will make you love it even more!

This deep dive is SO deep that Kimberly needs a whole lecture just to discuss "Franny." The first 40 pages of FRANNY AND ZOOEY is not only amazing, but the perfect way to look at what makes all of Salinger's prose so unmistakably SALINGER. (A second Salinger lecture will tackle "A Perfect Day for Bananafish," then we'll dive all the way in to the hugely popular FRANNY AND ZOOEY.)

Allow Kimberly to point out the intricacies, the nuance, the FACTS of what Akbar is really saying at the end of his insanely great novel. Tune in to hear Kimberly argue a few sides of this coin. She follows Daniel Mendelsohn's advice to treat literature like a social science: look carefully at the DATA. If you're like all the folks on the internet who have real questions about this novel's close, you're in the right place.

People. This is one of the most intense reading experiences Kimberly has had in ages. The book is so smart, so warm and funny and complicated, that Kimberly realized it deserves two lectures! This first one focuses on the narrative stance, the inventiveness, the humor and complicated compendium-like structure (and a possible small debt to David Foster Wallace). The SECOND lecture (coming soon) tackles the novel's insanely great, ambiguous, enigmatic ENDING.

NO SPOILERS! What's summer without a good beach read? By the QUEEN of the beach read?? Kimberly was somewhat alarmed that Hilderbrand is "hanging up her bikini" but thank god we have 26 other Nantucket novels to choose from. People, Hilderbrand is SO GOOD at this stuff. Listen in to find out why her narrative stance, atmospheric elements and structure make these books so solid. (Also: Kimberly has just a few teeny quibbles). There's no such thing as "guilty pleasure" where Hilderbrand is concerned--she's just so good at this stuff!

Fitzgerald's genius might very well be wasted on the youth. Even if you haven't re-read this classic since you were 16, delving into for an hour is a revelation. Kimberly breaks down the innovative narrative stance, the plot-heavy structure and some master-class motif building--all while reveling in (and also subtly criticizing) this modernist MASTERPIECE.

ALL FOURS is changing how we think about sex, maternity, marriage--and towels. Touted by the New York Times as "the first great peri-menopause novel," it's July's most accessible, most hilarious and most "filthy" (in the best of ways) work. Listen in while Kimberly uses the lens of humor to appreciate the pathos, the sex, the iconoclasm and the tension in this IMPORTANT BOOK.

Who knew that Collins wrote his doctoral dissertation on the romantic poets?? Tune in to hear Kimberly break down the Romantic Movement and Byron's "She Walks in Beauty"--all in preparation to more fully appreciate our nation's "most popular poet"!

Kimberly does not love poetry. Which she considers a personal failure. But it turns out that she LOVES hearing Paul Chowder, narrator of this novel, teach her all about poetry. If you need a lift, and love hilarious, smart books--listen in!

LIVES OF GIRLS AND WOMEN is Munro's only novel AND it's the ideal way to really dig in to her genius. Listen in now!

Díaz's Pulitzer-prize-winning, Booker-nominated TRUST has the kind of complex structure Kimberly LOVES to dig into. With vastly differing narrative voices, each of the four texts informs the others, making for an insanely rich read. Also: this exploration of the American dream could not be more timely!

NO SPOILERS! NO RE-READING REQUIRED! Listen in to hear how Brookner's use of narrative voice, tons of figurative language and other plot elements make this novel--set in Switzerland--a must read.

This lecture--the first in a three-part exploration of Munro--gets nitty gritty in all the best ways. Delve with Kimberly into the elements that make her prose feel like nothing else on the planet. Whether you've read everything she wrote, or you're new to her work, you'll come away with a much richer appreciation of this absolute genius.

If you love DIdion's inimitable prose and you're interested in any kind of history or intrigue or scandal--listen in. NO SPOILERS!

Sittenfeld is soooo good. Her latest delivers a fascinating, intimate look at life as a comedy writer on the world's foremost live, nighttime, sketch comedy show--all while promising that she'll work within the conventions of ROMANTIC comedy. Or will she?? Listen to Kimberly extol Sittenfeld's structure, the use of all five senses, the deft character development, excellent sex writing and, of course, the use of HUMOR. Get the most out of this novel whether you've finished it or want to see how to best approach the work. (NO SPOILERS!)

NO RE-READING NECESSARY! Kimberly only sought out Aciman because she loved the movie Call Me by Your Name--but she loved the fiction enough to seek out more. Tune in to hear about the use of figurative language, the structure, the pacing and the choice of details that make this work so ATMOSPHERIC.

Baker's hilarious, inventive prose melds with incredibly well curated images to produce something only Baker could produce. Kimberly LOVED diving in to the many ways in which the guy is creating literary (and visual) magic.

NO RE-READING REQUIRED! PLUS!! SPECIAL GUEST STAR: JOHN STEINBECK!! Tune in to hear all the ways in which this 1952 classic surprised Kimberly. Its insanely great sense of place, its lessons in history, its denigration/elevation of women, its biblical underpinnings...Kimberly's list of its attributes could go on and on. Whether EAST OF EDEN is your favorite of all time, or whether you have only hazy ninth-grade memories of Lenny squeezing that bunny in OF MICE AND MEN--tune in to hear why Steinbeck really deserved that Nobel Prize.

If you can't remember what's ingenious about CARRIE's narrative stance, its sophisticated structure, its use of motif and of "scientific evidence"--you MUST TUNE IN to fully appreciate the genius King's first novel.

Join Kimberly to hear how this behind-the-scenes immersion in British tabloid journalism hits all the right notes. You'll come away with a deeper understanding of why Nolan's masterful narrative stance, pacing, character development and structure make this so much more than an excellent thriller.

Didion needs almost no description. Kimberly argues why you should read this seminal work, touches on Didion’s biography then digs into why her engaging, dark, entirely inimitable prose is almost universally respected. (For parts 2 and 3 of this lecture, scroll down through the episodes to Lecture 7!)

NO PRE-READING REQUIRED! Listen in for all you need to know about HUCK FINN (without spending days reading Twain). Kimberly shares not only why JAMES is an insanely great revisioning of the 1884 adventure story--but why Everett's crucial text is important, hilarious, unique and JUST SO GOOD.

Kimberly always describes Cassandra at the Wedding as a near-perfect novel. From Baker’s insanely great use of figurative language to nostalgia for the Berkeley and the Central Valley of the early 60s, to an incisive exploration of individuation in the case of identical twins–the novel is a huge crowd pleaser every time Kimberly teaches it. (NOTE: this lecture kind of assumes you've read (or are reading) the novel. There are likely references to spoilers. If you're trying to get a sense of the book, maybe check out the five-minute recommendation further down in the episode list!)

Listen in as Kimberly parses the many reasons why LONGBOURN is her favorite of all Austen adaptations. You'll end up with a much deeper understanding of why this insanely novel has it all.

Jane Austen week continues! Janice Hadlow gives us a new perspective on familiar parts of Pride and Prejudice--then goes beyond to imagine a whole new world. Join Kimberly for insights on history, usage of the source material and levity in the original.

Ever wondered what the Bennet family BLACK SHEEP was actually up to? Wonder no more! Taub's juicy, witchy novel is so well done. Listen as Kimberly explains how Taub's witchy-ness is an important feminist statement! Even if you aren't a huge Jane Austen fan (Kimberly herself isn't completely rabid) Taub's work is so worth your while!

Kimberly dips into the Regency Era--don't remember why it's called that? tune in!--then digs into Jane's use of irony and satire to appreciate why the work is so revolutionary, so deft and SO FUNNY.

Listen in to see how to get the most out of Woolf's most hilarious, inventive, ground-breaking novel--while reveling in some of the best prose in the English language.

Your 12-year-old self will come rushing right back–in the very best of ways! Kimberly digs in to the excellent prose, why MARGARET has never been out of print, and all the ways the novel is more about deep, engaging, questions than it is about periods.

Tune in to find out some answers to these fascinating questions. Also learn why Kimberly is skeptical of bestsellers--and why Yarros is doing so much so well!

Kimberly was really moved by Salvage the Bones. Tune in to find out why Ward's work just keeps getting better and better.

Kimberly read Gray's Scottish novel (because of the movie) and was BLOWN AWAY. Listen to why this brainy, unique, super-engaging ROMP is a must read--whether or not you love Emma, Yorgos, Willem, Mark and the gang.

Description: Rooney is obviously part of Kimberly's Irish lit. obsession and after watching Paul Mescal in Normal People she needed to dig back in. The deep dive did into BEAUTIFUL WORLD not disappoint! Listen to hear all she discovered.

NO READING REQUIRED! Did you read "A Room of One's Own" a million years ago and can't quite recall it? Did you NEVER read it?? Listen in as Kimberly gives you the highpoints--proving why Woolf's revolutionary essay collection from 1928 is more engaging now than ever.

Listen in as Kimberly explains all the ways the novel changed literature forever. She explores realism, Flaubert’s revolutionary narrative stance and just what to make of wacky Emma–this REAL HOUSEWIFE from 1856.

NO READING REQUIRED! Turns out that everyone's favorite picture book is a psychologically complex, highly psychoanalytic, controversial TREASURE TROVE of literary and visual mastery. Listen in! **If you've never watched a lecture on the foxed page YouTube channel, this is a particularly good one, given the plethora of images that help elucidate the visual side of Sendak's genius.**

This publishing industry thriller was SUCH GOOD grist for Kimberly's mill. Listen in to appreciate all the elements that made the novel an "instant" best seller. Its literary merit is almost as great as the important philosophical questions is raises. This book is sooooo good.

People. This book is soooooo good. Listen in to learn about the genius of the title, the impact of Zevin’s intertexts and the nuance of the structure. But almost more importantly, find out how Kimberly ALMOST MISSED THIS INCREDIBLE BOOK because she didn’t “give a shit about teenaged gamers.”

Kimberly's pretty convinced that THE FEAST is a perfect novel. Published in 1950, this rich, hilarious, dark page-turner concerns a group of guests at a Cornwall inn where everything is about to go TERRIBLY WRONG. Tune in to hear Kimberly elucidate Kennedy's incredible structure, narrative voice, use of intrigue and so much more.

NO READING NECESSARY! Think of this talk as a primer that will ensure you won't miss any of the ZILLION REASONS why North Woods was on all those best-of-2023 lists. This novel is so engrossing and wide reaching. It's smart and rich and just plain fun to read. Listen as Kimberly points out aspects you do not want to miss. Already read it? You'll love this even more!

Did you read CIRCE in 2018 when it was an instant #1 NYT bestseller? If not, Kimberly is SO jealous of the reading experience you have in store. This re-writing of the myth (you do NOT need to love mythology to love the book) is SO GOOD. If you've read it, Kimberly will remind you of how amazing it is--all while deepening your appreciation of Miller's absolute genius.

Galatea MUST be your next book club pick. At just 50 pages, the book is essentially a short story. But it's sweeping and immediate and GORGEOUS. It is just so so good. Kimberly digs in to all the ways that Miller (author of the #1 best-selling CIRCE) re-envisions Ovid's (totally misogynist) myth. This book is a page-turning inspirational, super-smart gem. Treat yourself (and everyone else you know!) to a deep dive into this amazing work.

This novel--published in 1975 when Jones was only 25--is a supremely important piece of literature. A full, complex and super-engaging look at Ursa Corregidora's experience of being a Black woman in the South, the novel is a must read that Kimberly LOVED exploring.

NO PRE-READING REQUIRED! Allow Kimberly to help you revel in this gem--all while increasing your appreciation by pointing out the echoes of Dickens's David Copperfield.

MORE CLAIRE KEEGAN! Kimberly dives deep into the title story of this new collection to further reveal Claire Keegan's GENIUS.

NO READING REQUIRED! Kimberly lays out a very persuasive argument for why reading is REALLY GOOD for you. Featuring wisdom from Virginia Woolf (and Maryanne Wolf), Jia Tolentino, Lydia Davis and Vladimir Nabokov, the lecture will give you all the rationale you need to read a LOT MORE THIS YEAR.

NO READING REQUIRED! Find out why we are SO DRAWN to this unlikely, enduring classic from 1957. Also: Kimberly grapples with the sequel.

Beaming in from her pantry, Kimberly explains why she wasn't drawn to this run-away bestseller--and why she ultimately found it so satisfying! If you loved the book, or the tv show, listen in to see WHY Lessons is actually a very solid literary achievement.

NO READING REQUIRED! Tune in to hear how detective novels are inherently conservative but why Kimberly LOVES CHRISTIE ANYWAY. You'll learn why the "queen of crime" is so exceptional and why it should be no surprise that she's the best-selling writer OF ALL TIME (except Shakespeare and the Bible...). Also--see which volume is the perfect gift for everyone on your holiday list.

Tune in for close readings that illuminate why McCarthy's prose is so gorgeous, why his influences are key, and why Kimberly is so happy about him finally centering A WOMAN in these, his final texts. Plus! A literary PARLOR TRICK that definitively proves Kimberly's hot-take thesis about digression in The Passenger.

This running-away-to-the-Met novella from 1967 really holds up! Listen in for a good dose of nostalgia, surprisingly great prose and some excellent crone energy!

NO READING NECESSARY! This introduction to Baker's hilarious and ultra-smart The Mezzanine will convince you how easy--and beneficial--it is to slooooow doooown. In this day and age, we ALL need a fat dose of Nicholson Baker.

This gem from 1992 REALLY HOLDS UP. Allow Kimberly to remind you why this entertaining novel--built around a matriarchal, domestic romance during the Mexican Revolution--was such a bestseller. With a weird number of funny and PRACTICAL digressions, the lecture celebrates this part-soap-opera (think Jane the Virgin!), part-cookbook (try a recipe!), part-send-up and part-family-saga.

Get Kimberly's take on this early-90s classic while PRACTICING YOUR SPANISH! This soapopera-esque matriarchal saga set against the Mexican revolution really holds up. Listen in to find out why. ¡Ándate pues!

In this PLATINUM AGE of television, Kimberly looks at the masterful language, the deft historical elements and the incredible Shakespearean airs of one of the best TV series of all time: David Milch's DEADWOOD.

Kimberly hates to be self-aggrandizing but she honestly thinks this might be some of her VERY BEST WORK. Pete Dexter's DEADWOOD is an absolutely gorgeous, warm, violent and super-engaging book. If you loved it, listen now. Kimberly couldn't help but discuss some spoilers, so if you haven't read it, do that and come right back here. DEADWOOD is SO GOOD.

Kimberly worried there might be a bit too much Keegan on the foxed page. Then she re-reading Small Things and HAD TO RECORD THIS! Check it out. Keegan is a legend.

NO READING REQUIRED! Kimberly explains why FRANKENSTEIN is more relevant than ever. Treat yourself to discussion of: Mary Shelley's insanely colorful life, elements of the gothic novel, what makes the prose so timeless, Percy Bysshe Shelley's role--and why we all need to hear the classic novel's CAUTIONARY TALE.

Tuck into analysis of this slim novel to be TRANSPORTED by gorgeous prose, excellent historical ambiance and a wholly inspirational, sassy, independent MARGARET.

NO PRE-READING REQUIRED! Kimberly breaks down the first dozen pages to reveal WHY this tome is such a hit. Explore Verghese's use of language, sense of place, narrative voice and incorporation of history--to see why you loved the book OR to see how you can GET MORE out of this epic.

NO READING REQUIRED! PLOT seems simple but understanding its nuances can make a huge impact on how you read. Treat yourself to this discussion featuring Madame Bovary, Orlando, Kennedy's The Feast and Babitz's Slow Days, Fast Company.

Kimberly explores the similarities and profound differences between oft-compared literary GENIUSES Joan Didion and Eve Babitz . . . before digging in to why people keep lumping Emma Cline, and her new novel, in with these legends.

Kimberly breaks down the GENIUS in Gabrielle Blair's crucial book. Urgent and funny at times, the lecture also touches on Kimberly's own book. If you listen to one podcast here at the foxed page, MAKE IT THIS ONE.

Building on Claire Dederer’s defense of this incredible novel, Kimberly walks you through this new way to think about the misunderstood classic. She delves into why the prose is so insanely great and wraps up with a look at the genius sleight-of-hand that makes the book not only deeply engaging but also important.

If you don’t know what to do with great art made by horrible people, you need Monsters. Dederer’s surprisingly personal look at the issue is insightful and soooo smart. Her thoughts on Woody Allen, Michael Jackson, Virginia Woolf—and Nabokov’s Lolita—are fascinating and revelatory.

Kimberly adds her voice to the important chorus extolling Frog and Toad. She explains how structure, monosyllabic word choice, vowel sounds and syntax all combine to result in PROFOUND resonance. She also illuminates how queer elements of the work make reading Lobel not only a nostalgic delight, but an important act.

In part two, Kimberly focuses on the titular essay, “The White Album.”

In part three, we dive into aspects of the later essays that make this collection so important.

In part three, Kimberly digs into the depiction of maternity in the novel, and the close of the work.

In part two, Kimberly analyzes the uncanny, strange feel of the novel, and the important pattern of proliferation of mothers, daughters and dolls.

Kimberly might not have loved Ferrante’s My Beautiful Friend, but she’s OBSESSED with The Lost Daughter. (Plus, the movie’s great.) In part one, Kimberly will argue why you should read this creepy little gem, discuss names in the novel, and dive into the opening of the book.

No reading required! In this Dickens crash-course, Kimberly equips you to get even more out of Barbara Kingsolver’s incredible Demon Copperhead. Or to decide if you want to tackle this new bestseller! You’ll find out why Demon fits so well into a long literary tradition and why Kingsolver was SUCH a genius to choose this insanely effective scaffolding for her recent gem.

In part two, Kimberly discusses the peripheral, third-person (“sidekick”) narrator, Mitford’s world-class dialogue and the novel’s pacing.

In part three, Kimberly discusses the artful depiction of maternity, Mitford’s humor, the novel’s blend of comedy/tragedy and the close of the book.

Kimberly loved GOODBYE, VITAMIN so much that she's elated to see Khong's latest getting so much attention. Until Kimberly works through her stack and gets to REAL AMERICANS, listen in to this 30-minute intro to Khong's bio, her prose, and all the ways that the opening page of GOODBYE will help you more fully appreciate her insanely great work.

In part two, we look at structure, digression, narrative voice, and the use of found objects.

In part three, Kimberly explores the plot, motifs of memory, and the important inversion that makes the novel so moving

Some of you might be a little surprised at this title popping up here but tune in to find out how Hilderbrand’s serious talent means that this book rose to Kimberly’s very high standards. In part one, Kimberly will argue why you should read the book, take a quick dip into Hilderbrand’s bio., and explore the opening pages.

In part two, Kimberly discusses narrative voice, the deftly crafted plot, Hilderbrand’s impressive range, and her use of music and intertexts.

In part three, Kimberly explores figurative language, the satisfying character arcs, a few quibbles, and the close of the novel.

Get more out of reading by understanding the importance of which voice is telling the story and why it makes all the difference. Not only will you feel smarter and read better, but you’ll get to luxuriate in prose by true geniuses like Cervantes, Jane Austen, Tolstoy, Virginia Woolf and others.

In part three, Kimberly discusses the spare richness of the prose, figurative language, desire, and the close of the novel.

In part two, Kimberly discusses structure, the deft dialogue, the unusual voice of Edna, and why the plot is so well done.

This very brief novella is a masterclass of the form. You will be so moved by this amazing, slight masterpiece. In part one, Kimberly will argue why you should read it, take a quick dip into Keegan’s bio., and discuss the title and opening pages.

In the final part, Kimberly discusses the issues of race, the use of the Korean language, and the close of the novel.

In Part 2, Kimberly discusses the prose, the limits of memoir, structure, and figurative language.

You guys. You must tune in to find out why Zauner is worth all the hype. If you’re in the mood for a memoir, and you like cool people and excellent prose, join Kimberly to see why H-Mart is moving, engaging and frankly delicious.

If you love to read, The Foxed Page is for you. The Foxed Page podcast is built around entertaining deep dives into the best books. You’ll gain a richer understanding of the title at hand, all while learning to read everything . . . a little better. You can expect 3 part lecture series, 5-minute recommendations, talks on old favorites, and even some old episodes from the archives. So listen to The Foxed Page, with me, Kimberly Ford, best-selling author, former adjunct professor, and Ph.D.

Kimberly focuses on creepy, haunting “An Encounter” before her deep dive into the keystone work, the subtle, sad, masterful “The Dead.” Find out how Joyce’s prose changed the face of literature, and how his portrayal of the Irish is actually a portrayal of EVERYONE.

A close analysis of the Nobel Prize winner’s masterpiece, the lecture delves deep into Ernaux’s prose, structure, use of popular culture and broad span. Kimberly explains why she thinks the Prize committee was apt in recognizing Ernaux’s “clinical acuity”–a term that doesn’t sound all that amazing, but really is. Listen in as Kimberly reveals how she decided to skim over some of the more abstruse French cultural references–but then COULDN’T! Because this prose is SO GOOD.

This very brief novel is a STUNNER. It's moving, unique and absolutely fascinating. It's worth reading for the amazing structure alone! Join Kimberly to understand the masterful way that Haien aligns the reader with certain characters--and why that literary sleight of hand becomes so powerful. This is the juicy kind of lecture that will have you heading right back to re-read The All of It as soon as Kimberly's done.

Kimberly has read a number of covid novels. She loved how Erdrich sets super-lovable characters and plenty of tension not only during the pandemic but in a Minneapolis that is rocked by the murder of George Floyd. Join Kimberly to see why Erdrich’s excellent prose makes this much more than a novel about a moment in time.

Find out why this buzzy bestseller impressed Kimberly with its prose and rich character development. Reid tackles today’s BIG questions, all in a highly familiar, fraught and delicious domestic world that provides all kinds of grist for Kimberly’s mill.

The Vanishing Half is a bestseller for all the right reasons. Kimberly explores Bennett’s rich and wide-reaching portrayal of race, family, homecoming and legacy–all while examining prose in ways that will make you a better reader.

One of the more challenging books Kimberly has read recently, Milkman is dark, dense and AMAZING. Join Kimberly for a more profound understanding of the novel’s political importance, its incredibly effective humor and other elements that make this book feel so IMPORTANT.

Kimberly will share whether you should—or should not—dig into Tomorrow and Tomorrow and Tomorrow. She’ll treat you to a snippet of the prose to give you a sense, but for a deeper analysis, check out the lecture.

Kimberly will share whether you should—or should not—dig into The Pursuit of Love. She’ll treat you to a snippet of the prose to give you a sense, but for a deeper analysis, check out the lecture.

Kimberly will share whether you should—or should not—dig into The All of It. She’ll treat you to a snippet of the prose to give you a sense, but for a deeper analysis, check out the lecture.

Kimberly will share whether you should—or should not—dig into Slow Days, Fast Company: The World, the Flesh, and L.A.. She’ll treat you to a snippet of the prose to give you a sense, but for a deeper analysis, check out the lecture.

Kimberly will share whether you should—or should not—dig into Summer of 69. She’ll treat you to a snippet of the prose to give you a sense, but for a deeper analysis, check out the lecture.

Kimberly will share whether you should—or should not—dig into Milkman. She’ll treat you to a snippet of the prose to give you a sense, but for a deeper analysis, check out the lecture.

Kimberly will share whether you should—or should not—dig into Madame Bovary. She’ll treat you to a snippet of the prose to give you a sense of the work, but for a deeper analysis, check out the lecture.

Kimberly will share whether you should—or should not—dig into The Years. She’ll treat you to a snippet of the prose to give you a sense, but for a deeper analysis, check out the lecture.

Kimberly will share whether you should—or should not—dig into Frankisstein. She’ll treat you to a snippet of the prose to give you a sense, but for a deeper analysis, check out the lecture.

Kimberly will share whether you should—or should not—dig into Foster. She’ll treat you to a snippet of the prose to give you a sense, but for a deeper analysis, check out the lecture.

Kimberly will share whether you should—or should not—dig into Dubliners. She’ll treat you to a snippet of the prose to give you a sense of the work, but for a deeper analysis, check out the lecture.

Kimberly will share whether you should—or should not—dig into Cassandra. She’ll treat you to a snippet of the prose to give you a sense of the work, but for a deeper analysis, check out the lecture!

Kimberly will share whether you should—or should not—dig into this memoir. She’ll treat you to a snippet of the prose to give you a sense, but for a deeper analysis, check out the lecture.